Read my lips or watch my feet?

In re that last quote (“family values” = “the prerogative of the patriarch to control his family as he wishes”): this is the uncomfortable problem with thinking about politics — how to respond to your philosophical opposites. (Note that I’m talking about thinking about politics; if you’re doing politics you either crush them or negotiate with them.) By which I mean: how do you reconcile the perfectly sound conviction that one’s opponents are reasonable and rational individuals whose views are sincerely held and decently derived with the sensible impulse to speak truth, call self-justification and self-interest for what it is, and to see through political fiction? Should we be political naifs or political cynics? Is the best way to comprehend a politician by listening to what she says — after all, how better to understand someone else than by having them explain themselves in their own words — or by observing what she does — why should we believe the words of someone who acts so consistently in a manner at odds with what she has to say?

There’s an easy and uncompelling answer, which revolves along the lines of not treating people who disagree with you as enemies or dupes. That is fine as far as it goes, but it doesn’t really help much when you actually set about grappling with a set of specific ideas. I tire, for instance, of the urge to point out how conservatives don’t actually support individual freedom when they oppose abortion or gay marriage. Mocking the famed Tea Party exhortation to get the government’s hands off my Medicare is satisfying but it doesn’t explain anything about their thought process. Far better to conclude that these folks don’t actually believe what they say and set about explaining their actions rather than wondering why they don’t use words the way you think they should. But you can’t get too far into ignoring what people involved about politics say about themselves lest you start seeing demons as the cause for every demonic act. The problem with explaining what your opponents “really mean” becomes clear when they try to do the same to you.

So does it make sense to complain that conservatives who espouse “family values” are being hypocritical when they don’t support a liberal policy that would benefit families like a living wage or whatever? Or complain that “pro-family” conservatives should support gay marriage, as if you can argue an opponent into agreeing with you? So is it better to understand that the conservative “really means” x, even though, for all the insight that might be gained through imagining devious, there’s also the potential that we just do it for the fun of it?

I hope it’s possible to resolve these contradictory impulses or at least hold them in productive tension. On conservatism, I once wrote:

I’ll throw a not at all well thought-out definition out there: Conservatism is an ideology interested in preserving prevailing social structures — that is, prevailing power structures … And sure, I understand why folks might find such an ideology appealing: After all, it’s got us this far, and we’re doing OK. (It’s an even better argument if you are doing OK.)

Which I hope works as an example of how to interpret another belief system without succumbing either to naïveté or cynicism. Is my description one a conservative would use for himself? Not likely. But it doesn’t dismiss the inherent reasonableness or integrity of his belief system either.

4
Feb 19

This is what that phrase “family values,” whose fetishization by the right is so inscrutable to us on the left (for what could better preserve family values, we say, than living wages, paid family leave and all that other stuff the “family values” right could never dream of supporting?) means to them: the prerogative of the patriarch to control his family as he wishes, absent state interference…
Rick Perlstein, “Nothing New Under the Wingnut Sun: A Coming Preschool Backlash,” The Nation, 14 February, 2013

So the WaPo has a Presidents Day editorial devoted to James Garfield because, well, why not. Or, as they quite reasonably, though perhaps hyperbolically, explain:

He was James A. Garfield, who may have been the best president we never had, or hardly had … “The elevation of the negro race from slavery to the full rights of citizenship is the most important political change we have known since the adoption of the Constitution of 1787,” he said. “NO thoughtful man can fail to appreciate its beneficent effect upon our institutions and people. It has freed us from the perpetual danger of war and dissolution. It has added immensely to the moral and industrial forces of our people. It has liberated the master as well as the slave from a relation which wronged and enfeebled both. It has surrendered to their own guardianship the manhood of more than 5,000,000 people, and has opened to each one of them a career of freedom and usefulness. It has given new inspiration to the power of self-help in both races by making labor more honorable to the one and more necessary to the other. The influence of this force will grow greater and bear richer fruit with the coming years.”
There was more along those lines, and it bears reading. Moreover, Garfield appointed four black men, among them Frederick Douglass, to posts in his administration. We are left to wonder today what a president of conviction and conscience such as Garfield might have done to rouse the country and lead it against the vicious new institutions of repression and virtual re-enslavement that were taking hold in the American South, with the silent acquiescence of the North.

OK, so perhaps he was a pretty awesome guy? Also, In other news about potentially fantastic presidents America never got to experience, the footnote that is William Henry “Tippecanoe” Harrison (“I died in thirty days!”) was taken out of school by his father while he was a teenager because he had taken to running around with an anti-slavery crowd. He won the 1840 election by 234 electoral college votes to 60, and also with help from a campaign chant that required the singer to periodically spit tobacco juice. The 1840 campaign was the kind of friendly one that saw Harrison and his Whig buddies give incumbent Martin Van Buren the nickname “Van Ruin” and Democrats responding with an accusation that Harrison was a coward as a general — they dubbed him Granny Harrison, the petticoat general, and said if elected president, he’d sit around in a log cabin and drink hard cider all day instead of governing the country. Harrison subsequently adopted the log cabin and hard cider as totems for his campaign, probably reckoning that voters thought such things were pretty neat. Harrison was far-sighted enough to want to introduce paper money and wanted to clean up the spoils system — that is, jobs for the boys. Then he caught pneumonia and died.
Anyway back to Garfield — but keep the spoils system in mind. The guy who killed Garfield was a man named Charles Guiteau, and though I don’t mean to glorify anyone who assassinates a democratically elected leader, I’d like to take a moment to talk about how thoroughly batshit insane Guiteau was. As would-be assassins go, his madness approaches that of John Hinckley, Jr., the guy who shot Ronald Reagan because he thought it would impress Jodie Foster. (Though, according to the courts, Guiteau’s insanity wasn’t of the legally exculpatory kind.)
Guiteau was a big admirer of President Ulysses S. Grant, and showed it by writing a speech in his favour called “Grant vs. Hancock.” When Garfield showed up on the scene, Guiteau rejigged the speech (pretty much by subbing in references to Garfield and removing ones of Grant), renamed it “Garfield vs. Hancock” and then decided that his efforts were pretty much the reason Garfield won the election of 1880.
As such, he figured Garfield should make him ambassador to either Paris or Vienna. When Garfield decided that request was not a reasonable one, Guiteau figured the best way to deal with his disappointment would be to assassinate the president.
To do so, he purchased a gun, favouring one with an ivory handle because he figured it would look better when displayed in museums as the murder weapon.
After he shot Garfield (who probably only died because doctors kept prodding his wound with their dirty fingers), Guiteau was put on trial. He insisted he was sane and spent much of the trial cursing and insulting the judge, the witnesses, the prosecution, and his own lawyers. Also, he delivered his testimony as a series of epic poems, and spent the trial period dictating his own autobiography, which ended with a personal ad seeking “a nice Christian lady under 30 years of age.” He figured he would escape conviction and began laying plans to run for president in 1884.
The jury had other ideas though and he was convicted and hanged in 1882.
[x-post]

So the WaPo has a Presidents Day editorial devoted to James Garfield because, well, why not. Or, as they quite reasonably, though perhaps hyperbolically, explain:

He was James A. Garfield, who may have been the best president we never had, or hardly had … “The elevation of the negro race from slavery to the full rights of citizenship is the most important political change we have known since the adoption of the Constitution of 1787,” he said. “NO thoughtful man can fail to appreciate its beneficent effect upon our institutions and people. It has freed us from the perpetual danger of war and dissolution. It has added immensely to the moral and industrial forces of our people. It has liberated the master as well as the slave from a relation which wronged and enfeebled both. It has surrendered to their own guardianship the manhood of more than 5,000,000 people, and has opened to each one of them a career of freedom and usefulness. It has given new inspiration to the power of self-help in both races by making labor more honorable to the one and more necessary to the other. The influence of this force will grow greater and bear richer fruit with the coming years.”

There was more along those lines, and it bears reading. Moreover, Garfield appointed four black men, among them Frederick Douglass, to posts in his administration. We are left to wonder today what a president of conviction and conscience such as Garfield might have done to rouse the country and lead it against the vicious new institutions of repression and virtual re-enslavement that were taking hold in the American South, with the silent acquiescence of the North.

OK, so perhaps he was a pretty awesome guy? Also, In other news about potentially fantastic presidents America never got to experience, the footnote that is William Henry “Tippecanoe” Harrison (“I died in thirty days!”) was taken out of school by his father while he was a teenager because he had taken to running around with an anti-slavery crowd. He won the 1840 election by 234 electoral college votes to 60, and also with help from a campaign chant that required the singer to periodically spit tobacco juice. The 1840 campaign was the kind of friendly one that saw Harrison and his Whig buddies give incumbent Martin Van Buren the nickname “Van Ruin” and Democrats responding with an accusation that Harrison was a coward as a general — they dubbed him Granny Harrison, the petticoat general, and said if elected president, he’d sit around in a log cabin and drink hard cider all day instead of governing the country. Harrison subsequently adopted the log cabin and hard cider as totems for his campaign, probably reckoning that voters thought such things were pretty neat. Harrison was far-sighted enough to want to introduce paper money and wanted to clean up the spoils system — that is, jobs for the boys. Then he caught pneumonia and died.

Anyway back to Garfield — but keep the spoils system in mind. The guy who killed Garfield was a man named Charles Guiteau, and though I don’t mean to glorify anyone who assassinates a democratically elected leader, I’d like to take a moment to talk about how thoroughly batshit insane Guiteau was. As would-be assassins go, his madness approaches that of John Hinckley, Jr., the guy who shot Ronald Reagan because he thought it would impress Jodie Foster. (Though, according to the courts, Guiteau’s insanity wasn’t of the legally exculpatory kind.)

Guiteau was a big admirer of President Ulysses S. Grant, and showed it by writing a speech in his favour called “Grant vs. Hancock.” When Garfield showed up on the scene, Guiteau rejigged the speech (pretty much by subbing in references to Garfield and removing ones of Grant), renamed it “Garfield vs. Hancock” and then decided that his efforts were pretty much the reason Garfield won the election of 1880.

As such, he figured Garfield should make him ambassador to either Paris or Vienna. When Garfield decided that request was not a reasonable one, Guiteau figured the best way to deal with his disappointment would be to assassinate the president.

To do so, he purchased a gun, favouring one with an ivory handle because he figured it would look better when displayed in museums as the murder weapon.

After he shot Garfield (who probably only died because doctors kept prodding his wound with their dirty fingers), Guiteau was put on trial. He insisted he was sane and spent much of the trial cursing and insulting the judge, the witnesses, the prosecution, and his own lawyers. Also, he delivered his testimony as a series of epic poems, and spent the trial period dictating his own autobiography, which ended with a personal ad seeking “a nice Christian lady under 30 years of age.” He figured he would escape conviction and began laying plans to run for president in 1884.

The jury had other ideas though and he was convicted and hanged in 1882.

[x-post]


Also I totally didn’t get why apparently all Adventure Time fans love Fionna and Cake, except now I just watched the Fionna and Cake episode and it was so great. More Fionna please all of the time.

Also I totally didn’t get why apparently all Adventure Time fans love Fionna and Cake, except now I just watched the Fionna and Cake episode and it was so great. More Fionna please all of the time.


Guys that picture means that a highly important thing happened in My Little Pony, which was that Twilight Sparkle just became a princess, which means she became an alicorn — that is, she is a unicorn and a pegasus at the time — and this is a very important moment so let’s have Some Things:
When I first started watching this show I joked, ”I assume Twilight Sparkle eventually is incorporated into the royal family and moves to California to live with Summer Roberts and fall in love with a proud stallion named Captain Oats.” Only now that has happened and Twilight is actually Princess Sparkle and I think has to, by law of television, go live in Newport Beach. Welcome to Equestria, bitch. This is how we do things in Ponyville.
So this episode did something I really appreciate about this show, which is turning something motivated entirely by raw commercial consideration into a compelling story. This is the essential frisson underpinning Friendship is Magic: Hasbro has a valuable franchise they want to use to make loads of money and the people they got to help them do that wanted to make compelling entertainment. So you get circumstances where Hasbro decides that little girls like extravagant dances or that it would be good if the new toy they’ve released could appear in the show, and the writers don’t get all Dan Harmony about their creative vision being ruined but instead work out how to make good art from Hasbro’s diktat. So TWILIGHT SPARKLE IS PRINCESS NOW ended up really great because that’s what this show does: it turns mercenary capitalism into quality programming.
And though this show has loads of great music, this episode was practically a musical in its execution, and all the songs were so great. Nicely done.
So here’s how Twilight Sparkle became a princess: She studied lots and invented really awesome magic that no one had done before. Which, um… that’s not how monarchy works, MLPFIM. You don’t get to be a princess just because you’re special. (I mean I know this is a trivial thing but I’m a republican because meritocracy is the exact opposite of monarchy and just… that’s not how monarchy works!
Another thing I said way back at the beginning of my MLPFIM viewing is that Twilight Sparkle is evidently a grad student who has been sent to Ponyville to do research on the magic of friendship, and I reckon that interpretation has held up pretty well throughout the show. (She always refers to “her studies” and her friendship reports act as like, I dunno, papers she’s written based on field observation.) So this was kind of like Twilight submitting her thesis and earning her PhD. Except, as well know, Little Girls Love Princesses, so the big event had to be a coronation, not a graduation.
So it’s the thing that princesshood is a reward for winning at the demands the patriarchy makes of femininity, which is why its such a compelling thing for girls to achieve, but in this case it’s princesshood as a reward for something entirely outside the bounds of traditional femininity or hereditary government. I mean, I’m not griping about that, I just find it kind of fascinating that the Princess Thing is so powerful and amorphous that the show can expand something intrinsically non-meritocratic enough that it can act as a meritocratic reward.
Anyways this episode pleased me ever so much and I can’t wait til season four and more ponies.

Guys that picture means that a highly important thing happened in My Little Pony, which was that Twilight Sparkle just became a princess, which means she became an alicorn — that is, she is a unicorn and a pegasus at the time — and this is a very important moment so let’s have Some Things:

  • When I first started watching this show I joked, ”I assume Twilight Sparkle eventually is incorporated into the royal family and moves to California to live with Summer Roberts and fall in love with a proud stallion named Captain Oats.” Only now that has happened and Twilight is actually Princess Sparkle and I think has to, by law of television, go live in Newport Beach. Welcome to Equestria, bitch. This is how we do things in Ponyville.
  • So this episode did something I really appreciate about this show, which is turning something motivated entirely by raw commercial consideration into a compelling story. This is the essential frisson underpinning Friendship is Magic: Hasbro has a valuable franchise they want to use to make loads of money and the people they got to help them do that wanted to make compelling entertainment. So you get circumstances where Hasbro decides that little girls like extravagant dances or that it would be good if the new toy they’ve released could appear in the show, and the writers don’t get all Dan Harmony about their creative vision being ruined but instead work out how to make good art from Hasbro’s diktat. So TWILIGHT SPARKLE IS PRINCESS NOW ended up really great because that’s what this show does: it turns mercenary capitalism into quality programming.
  • And though this show has loads of great music, this episode was practically a musical in its execution, and all the songs were so great. Nicely done.
  • So here’s how Twilight Sparkle became a princess: She studied lots and invented really awesome magic that no one had done before. Which, um… that’s not how monarchy works, MLPFIM. You don’t get to be a princess just because you’re special. (I mean I know this is a trivial thing but I’m a republican because meritocracy is the exact opposite of monarchy and just… that’s not how monarchy works!
  • Another thing I said way back at the beginning of my MLPFIM viewing is that Twilight Sparkle is evidently a grad student who has been sent to Ponyville to do research on the magic of friendship, and I reckon that interpretation has held up pretty well throughout the show. (She always refers to “her studies” and her friendship reports act as like, I dunno, papers she’s written based on field observation.) So this was kind of like Twilight submitting her thesis and earning her PhD. Except, as well know, Little Girls Love Princesses, so the big event had to be a coronation, not a graduation.
  • So it’s the thing that princesshood is a reward for winning at the demands the patriarchy makes of femininity, which is why its such a compelling thing for girls to achieve, but in this case it’s princesshood as a reward for something entirely outside the bounds of traditional femininity or hereditary government. I mean, I’m not griping about that, I just find it kind of fascinating that the Princess Thing is so powerful and amorphous that the show can expand something intrinsically non-meritocratic enough that it can act as a meritocratic reward.
  • Anyways this episode pleased me ever so much and I can’t wait til season four and more ponies.

Yo dude, wait. What’s all that biz?

Finn: Uh, bleach, lighter fluid, ammonia, gasoline… I dunno, lady stuff. Plutonium…  


Now, in response to something like that, you’ll hear my fellow debaters repeat a curious fallacy, a crushing intellectual failure. They’ll act like only governments have the power to deprive citizens of freedom.

Consider, however, a corporation like Walmart, which had $447 billion in revenue this year, bigger than the gross domestic product of all but seventeen of the world’s nations. But according to libertarianism and conservatism, Walmart can only produce liberty. It can never curtail it. Even if they fire you for no reason at all—and by law there’s nothing you can do about it.

Conservatives and libertarians somehow believe that you are freer if an entity bigger than the economies of Austria, Argentina and the United Arab Emirates is simply left alone to act against you in whatever way it wishes. Only liberals know how to make you freer on the job, which is where most of us suffer the gravest indignities in our lives.
Rick Perlstein, “Why I am a Liberal,” The Nation, January 7, 2013

Spenzo ft. Araina Lee, “Windy City” (2012)

  • This is over a year old and I’m only just hearing it. Guess I don’t spend enough time looking at random D.Gainz videos on YouTube.
  • Love the bootleg Just Blaze production.
  • Also love Araina Lee’s off-key singing on the hook.
  • Cityporn.
  • Yeah this is dope but wtf kind of name is Spenzo? Sounds like the sort of thing you’d call an off-brand Furby.

I almost unfollow SwiftSecrets multiple times a day because, you guys, I really can’t get too deep into fan communities, not even Taylor Swift fan communities — there are all these weird arguments about stuff — but then you get some A+ shit like this and I stay, stay stay*.
——
*See what I did there.

I almost unfollow SwiftSecrets multiple times a day because, you guys, I really can’t get too deep into fan communities, not even Taylor Swift fan communities — there are all these weird arguments about stuff — but then you get some A+ shit like this and I stay, stay stay*.

——

*See what I did there.


Anonymous asked: Hi hi c: I was wondering which episode it was when MArceline was wearing that trucker outfit :O

It’s season two, episode 12A: “Video Makers.” That’s the one where Finn and Jake have a movie night but don’t want to violate the copyright warning at the start of the movie, so they film their own feature instead of holding an illegal public screening. I feel it features some quite good Beemo moments. Including Jake revealing that Beemo’s name is spelled “Beemo” and not “BMO.”

The following episode (“Heat Signature”) has them watching the movie anyway though? It also reveals that Lumpy Space Princess has become a hobo, which: what the math is with that?



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